natalie "awkwardly cares" goodman (
robitussin) wrote in
cartesianism2018-11-03 04:45 pm
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week 5, post trial.
[Another week draws to a close, but as more culprits are led away, something is different all the same. After this particular trial, perhaps it's not a surprise that there's no note or offer to meet in a specific place tonight. Can any of them say they have any energy or desire to do something like that at a time like this? The place they regrouped last Saturday evening stands there, burned nearly beyond recognition, and the townspeople look at them with the distrust that's been steadily building. Not to mention... Those are the least of the losses they've faced in the last few days.
Of course, even as so much changes day by day, the town remains, with plenty of places for people to go if they don't want to stay inside the motel. Where can you be found tonight?]
Of course, even as so much changes day by day, the town remains, with plenty of places for people to go if they don't want to stay inside the motel. Where can you be found tonight?]
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[Whether or not Osomatsu takes her up on her offer, Kino will eventually be found near the pond. Although...
It's likely people will hear her before they see her. Her voice rings out clearly as she doesn't hum, doesn't murmur, but sings, carrying out into the openness of the park, the air, the sky.
"I'll give you some flowers
Some lovely, colorful flowers.
So that you might be happy.
So that you might smile."
It's a simple, simple song, and she drags her voice out carefully over each note, each syllable. Singing, as though if she fills her ears with the sound, she might be able to distract herself for just a little bit. Singing, as though if she puts the weight into the words, her heart might not feel so heavy.
Silence follows the final note. It's only after a solid moment that she sighs, mumbling:]
I can't believe I miss his voice.
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CW: survivor’s guilt and stupid ass reasoning
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cw: suicide mentions vaguely
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...
I'm a murder robot who kills good girls, AMA
It's no surprise to her that people would be so angry at her. It doesn't bother her. But failure, that bothers her. Knowing she couldn't save the one person she cares about the most. Knowing Millium's death was for nothing.
She's not actually at all sure that Millium's death having served a purpose would make it any better.]
this is post whoever wants to talk to her / middle of the night
THE LATE SHOW WITH ODA AND OLYMPIA
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cw: eye trauma
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Natalie can be found in the shed near the lodge where the Sergeant chose to put her piano. She's not playing anything, though; she's not even looking at the keys. Instead, she's seated on the ground, back pressed again one of the legs of the instrument as she stares up at the ceiling.
She can't claim to be in the mood for conversation, but... Well, the door is left open all the same.]
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Her door is open though if anyone wants to chat. She's mostly just relieved there wasn't more heat on her after being a suspect.]
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Anyone want to go for ice cream as a pick-me-up? I'll buy!
[he's got a few things he's wondering about, but.....]
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However, she's rather quiet when she walks out, walking towards the motel. Her room, specifically. Perhaps, if she can shut herself away from the world she can finally, finally shed tears about all of this.
It all just hurts so much and feels so raw and she feels so extremely betrayed.
He murdered for her and she didn't want it. She's never wanted it. Azura didn't deserve that. Not to save her.
It's not fair...
And she actually can't immediately go into her room because the room she passes by before her own is Millium's and her breath hitches, her body freezes, and she falls down onto her knees and starts sobbing, right at the doorstep. ]
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motel
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child death tw
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suicide tw
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eventually he heads to the tavern to wait until he gets to go... take care of things. he's seated at the bar, nursing a beer]
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tavern
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Why are you here?
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His bedding, the boxes of ammo it's all being picked up and packed into a bag. He's not staying in this building.]